Credits

Feature Films

UNTITLED SK WW2 PROJECT (London, Spain) – Paramount
DIGITAL IMAGING TECHNICIAN
DIRECTOR: ROBERT ZEMECKIS, CINEMATOGRAPHER: DON BURGESS A.S.C.
January 2016 – June 2016
Red Weapon Dragon 6K, Livegrade, Colorfront, Leica Summicron-C, Panavision Primos

FANTASTIC BEASTS, AND WHERE TO FIND THEM (London, Liverpool) – Warner Brothers
DIGITAL IMAGING TECHNICIAN
DIRECTOR: DAVID YATES, CINEMATOGRAPHER: PHILIPPE ROUSSELOT A.F.C., A.S.C.
August 2015 – January 2016
Arri Alexa Plus XT in ARRIRAW Anamorphic, Red Epic Dragon, Livegrade, Panavision E & G-Series Anamorphic

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (London, Cornwall, Blackpool) – Fox UK Productions
DIGITAL IMAGING TECHNICIAN
DIRECTOR: TIM BURTON, CINEMATOGRAPHER: BRUNO DELBONNEL A.F.C., A.S.C.
February – July 2015
Arri Alexa Plus XT in ARRIRAW 4:3, Livegrade, Cooke S4, Angeniuex Optimo

NOW YOU SEE ME: THE SECOND ACT (London) – Lionsgate
DIGITAL IMAGING TECHNICIAN (Splinter Unit)
SPLINTER UNIT DIRECTOR/CINEMATOGRAPHER: PETER ROBERTSON A.C.O.
January – February 2015
Arri Alexa Plus XT in ARRIRAW 4:3, Livegrade, Cooke S4

ALICE THROUGH THE LOOKING GLASS (London) – Disney
DIGITAL IMAGING TECHNICIAN (2nd Unit)
2nd UNIT DIRECTOR/CINEMATOGRAPHER: SHAUN O’DELL
August – October 2014 Main Unit Director: James Bobin, Cinematographer: Stuart Dryburgh A.S.C., N.Z.C.S.
Sony F65, Angenieux Optimo

LEGEND (London) – Working Title
DIGITAL IMAGING TECHNICIAN
DIRECTOR: BRIAN HELGELAND, CINEMATOGRAPHER: DICK POPE B.S.C.
June – August 2014
Arri Alexa Plus XT in ARRIRAW Open Gate, Codex Vault 2, Livegrade, Davinci, Cooke S4

MACBETH (London, Scotland) – See Saw Films, Studio Canal
DIGITAL IMAGING TECHNICIAN
DIRECTOR: JUSTIN KURZEL, CINEMATOGRAPHER: ADAM ARKAPAW A.C.S.
January – March 2014
Arri Alexa Plus XT in ARRIRAW 4:3 Anamorphic, Codex Vault 2, Livegrade, Panavision C, E & G-Series Anamorphic

INTO THE WOODS (London) – Disney
DIGITAL IMAGING TECHNICIAN
DIRECTOR: ROB MARSHALL, CINEMATOGRAPHER: DION BEEBE A.C.S., A.S.C.
August- December 2013, Model Unit Cinematographer: Nigel Stone B.S.C.
Arri Alexa Plus XT in ARRIRAW 4:3 Anamorphic, Codex Vault 2, Livegrade, Panavision G-Series Anamorphic

MR TURNER (London, Yorkshire, Cornwall) – Thin Man Films, Film 4
DIGITAL IMAGING TECHNICIAN
DIRECTOR: MIKE LEIGH, CINEMATOGRAPHER: DICK POPE B.S.C.
April – August 2013
Arri Alexa Plus in ARRIRAW16:9, Codex Vault, Livegrade, Cooke Speed Pancros

ANGELICA (London) – Angelica Sterling
DIGITAL IMAGING TECHNICIAN
DIRECTOR: MITCHELL LICHTENSTEIN, CINEMATOGRAPHER: DICK POPE B.S.C.
April 2013
Arri Alexa Plus in ARRIRAW 16:9, Codex Vault, Livegrade, Cooke S4

MUPPETS MOST WANTED (London) – Disney
DIGITAL IMAGING TECHNICIAN
DIRECTOR: JAMES BOBIN, CINEMATOGRAPHER: DON BURGESS A.S.C.
January – April 2013
Red Epic in 5K, Colorfront, Zeiss Ultra Primes

A LONG WAY DOWN (London, Majorca) – Wildgaze Films, BBC Films
DIGITAL IMAGING TECHNICIAN
DIRECTOR: PASCAL CHAUMEIL, CINEMATOGRAPHER: BEN DAVIS B.S.C.
September – October 2012
Arri Alexa Plus in ARRIRAW 16:9, Codex Vault, Livegrade, Leica/Cooke S4

CUBAN FURY (London) – Big Talk Productions
DIGITAL IMAGING TECHNICIAN
DIRECTOR: JAMES GRIFFITHS, CINEMATOGRAPHER: DICK POPE B.S.C.
July – September 2012
Arri Alexa Plus in ARRIRAW 16:9, Codex Vault, Cooke S4

TOTAL RECALL (London) – Magic Camera Company
DIGITAL IMAGING TECHNICIAN (VFX Unit)
DIRECTOR: JOSE GRANELL, CINEMATOGRAPHER: NIGEL STONE B.S.C.
May 2012, VFX Supervisor : Angus Bickerton, John Moffatt
Red Epic in 5K, Cooke S4

SKYFALL (London, Shanghai, Adana, Istanbul, Fethiye) – Eon Productions
DIGITAL IMAGING TECHNICIAN (2nd Unit, Splinter Unit, Aerial Unit)
2ND UNIT DIRECTOR/CINEMATOGRAPHER: ALEXANDER WITT
December 2011 – May 2012, Main Unit Director: Sam Mendes, Cinematographer: Roger Deakins A.S.C., B.S.C.
Aerial Unit : Flying Pictures – Marc Wolf, John Marzano, Glyn Williams – Pictorvision Eclipse
Arri Alexa Studio, Plus & M in ARRIRAW 16:9, Canon 7D, EFILM Colorstream, Zeiss Master Primes

PROMETHEUS (3D – London) – Fox
DIGITAL IMAGING TECHNICIAN (VFX Unit)
VFX UNIT DIRECTOR/CINEMATOGRAPHER: SHAUN O’DELL
December 2011
Red Epic 3D in 5K, Angenieux Optimo

ARGO (Istanbul) – Warner Bros
DIGITAL IMAGING TECHNICIAN
DIRECTOR: BEN AFFLECK, CINEMATOGRAPHER: RODRIGO PRIETO A.S.C., A.M.C.
November 2011
Arri Alexa Plus in ARRIRAW 16:9, Truelight, Cooke S4, Bolex Super 16, Canon Super 8

SNOW WHITE & THE HUNTSMAN (Wales) – Dark Mirror Films
ADDITIONAL VIDEO OPERATOR
DIRECTOR: RUPERT SANDERS, CINEMATOGRAPHER: GREIG FRASER A.C.S.
September 2011, Video Operator : Dominic Rau
35mm Anamorphic (Panavision), Panavision 65mm

WORLD WAR Z (London, Glasgow) – Paramount
DIGITAL IMAGING TECHNICIAN (2nd Unit)
2ND UNIT DIRECTOR: SIMON CRANE, CINEMATOGRAPHER: IGOR MEGLIC
July – September 2011 Main Unit Director : Marc Forster, Cinematographer : Robert Richardson A.S.C.
Arri Alexa Plus in ARRIRAW 16:9, Zeiss Master Primes, Arri 435

GRAVITY (London) – Warner Bros
DIGITAL IMAGING TECHNICIAN
DIRECTOR: ALFONSO CUARÓN, CINEMATOGRAPHER: EMMANUEL LUBEZKI A.S.C, A.M.C.
March – July 2011, Additional Photography : Michael Seresin B.S.C., Ashley Palin
Arri Alexa in ARRIRAW 16:9, Truelight, Zeiss Master Primes, Panavision Primos

BERLINER PHILHARMONIKER : A MUSICAL JOURNEY IN 3D (3D Concert – Singapore) – Context TV Berlin
DIGITAL IMAGING TECHNICIAN
November 2010
6 x NHK Rigs, 2 x Sony HDC-1500, all recorded onto 8 Codex Portable HD Recorders
CAPTAIN AMERICA : THE FIRST AVENGER (London, Wales, Liverpool, Manchester) – Marvel
DIGITAL IMAGING TECHNICIAN (2nd Unit)
2ND UNIT DIRECTOR/CINEMATOGRAPHER: JONATHAN TAYLOR
April – November 2010 Main Unit Director : Joe Johnston, Cinematographer : Shelly Johnson A.S.C.
Panavision Genesis, SSR Solid State Recorder, Panavision Primos, Canon 5Dmk2, Arri 435

A RUNNING JUMP (London) – Thin Man Films, Channel 4
DIGITAL IMAGING TECHNICIAN
DIRECTOR: MIKE LEIGH, CINEMATOGRAPHER: DICK POPE B.S.C.
August – September 2010
Aerial Unit : Flying Pictures – Marc Wolf, Adam Dale, Glyn Williams
Arri Alexa in Uncompressed HD, Cooke S4 (Aerial Unit: Cineflex/Sony 1500)

GULLIVER’S TRAVELS (London, Oxford) – Fox
DIGITAL IMAGING TECHNICIAN
DIRECTOR: ROB LETTERMAN, CINEMATOGRAPHER: DAVID TATTERSALL B.S.C.
2ND UNIT DIRECTOR/CINEMATOGRAPHER: SHAUN O’DELL
VFX UNIT DIRECTOR/CINEMATOGRAPHER: FRASER TAGGART
2nd Unit, Aerial Unit April – July 2009, Main Unit March 2010 & VFX/Aerial Unit July 2010
Aerial Unit : Flying Pictures – Marc Wolf, John Marzano, Glyn Williams
Panavision Genesis, SSR Solid State Recorder, Panavision Primos, Arri 435

THE CHRONICLES OF NARNIA : THE VOYAGE OF THE DAWN TREADER (London) – Fox
DIGITAL IMAGING TECHNICIAN & VFX PLAYBACK (VFX Unit)
DIRECTOR: MICHAEL APTED, CINEMATOGRAPHER/VFX: ANGUS BICKERTON
February 2010
Sony F23, Sony F900R, Qtake HD Playback, Codex Recorders

14 DAYS WITH VICTOR (Barcelona, London) – Manto Films
DIGITAL IMAGING TECHNICIAN
DIRECTOR: ROMAN PARRADO, CINEMATOGRAPHER: XAVIER CAMI
September – October 2009
Thomson Viper, Zeiss Digi Primes

¿ESTAS AHI? “Are you there?” (Alicante, Barcelona) – Manto Films
DIGITAL IMAGING TECHNICIAN & VIDEO PLAYBACK
DIRECTOR: ROBERTO SANTIAGO, CINEMATOGRAPHER: JOAN BENET
August – September 2009
Thomson Viper, Zeiss Digi Primes

ROBIN HOOD (Wales) – Merry Men Films
CAMERA OPERATOR (SI2K)
DIRECTOR: RIDLEY SCOTT, CINEMATOGRAPHER: JOHN MATHIESON B.S.C.
June 2009
Silicon Imaging SI-2K, Zeiss Ultra 16

GREEN ZONE (Rabat, Morocco) – Compound Films
DIGITAL IMAGING TECHNICIAN (Aerial Unit)
AERIAL UNIT DIRECTOR: PETER CHIANG, CINEMATOGRAPHER: JEREMY BRABEN
November 2008 – February 2009
Red One in 4K, Helicopter Film Services Wescam & Bell 205

Television

24 : LIVE ANOTHER DAY (London) – Fox
DIGITAL IMAGING TECHNICIAN : 2nd Unit Dailies
April-May 2014
Arri Alexa in Prores, Pomfort Silverstack

GAME OF THRONES (Belfast) – HBO
DIGITAL IMAGING TECHNICIAN (VFX Unit)
CINEMATOGRAPHER: GERRY VASBENTER
December 2010
Arri Alexa in HD, HDCAM SR & SxS

LIVE FROM ABBEY ROAD (London) – Live From Abbey Road/Channel 4
TECHNICAL DIRECTOR SERIES 2 & 3
DIRECTOR: ANNABEL JANKEL, CINEMATOGRAPHER: KELVIN RICHARD
Series 3 Director : Matthew Amos, Cinematographer : Geoff Harrison B.S.C.
October 2007 – May 2009
Panasonic HDX900, Canon ENG or PRO35 with Cooke S4, Angenieux Optimo

Commercials

CLIMATE CHANGE COALITION (London) – RSA Films
DIGITAL IMAGING TECHNICIAN
DIRECTOR: STUART RIDEOUT, CINEMATOGRAPHER: DAN HOLLAND
January 2015
Arri Alexa 2K Prores in Anamorphic, Panavision C Series Anamorphic, Pomfort Silverstack, Davinci Resolve

VICTORIA’S SECRET 2014 (London) – Done+Dusted
DIGITAL IMAGING TECHNICIAN
CINEMATOGRAPHER: NIC SADLER
December 2014
Arri Alexa in DNx, Canon C300, Canon 5Dm3, Pomfort Silverstack, Davinci Resolve

ASICS RUGBY (London) – Pulse Films
DIGITAL IMAGING TECHNICIAN
DIRECTOR: DEAN MARYON, CINEMATOGRAPHER: DANIEL LANDIN
December 2014
Arri Amira in Prores, Indiecam, GoPro, Pomfort Silverstack, Davinci Resolve

ALTON TOWERS (London) – Blink Ink
DIGITAL IMAGING TECHNICIAN
DIRECTOR: NOAH HARRIS, CINEMATOGRAPHER: TOBY HOWELL
November 2014
Arri Alexa Plus XT in ARRIRAW 16:9, Angenieux Optimo, Pomfort Silverstack, Davinci Resolve

ICELAND CHRISTMAS 2014 (London) – Kream Communications
DIGITAL IMAGING TECHNICIAN
DIRECTOR: OSCAR CARISS, CINEMATOGRAPHER: ED WILD
September 2014
Red Epic Dragon in 5K, Pomfort Silverstack, Davinci Resolve, Panavision Primos

SAINSBURY’S CHRISTMAS 2014 : CHRISTMAS DAY First World War (Suffolk) – Rattling Stick
DIGITAL IMAGING TECHNICIAN
DIRECTOR: RINGAN LEDWIDGE, CINEMATOGRAPHER: ALWIN KÜCHLER B.S.C.
August 2014
Arri Alexa Plus XT in ARRIRAW 16:9, Livegrade, Canon K35

TARGET ALTUZARRA (London) – Spring Fashion Film
DIGITAL IMAGING TECHNICIAN
DIRECTOR/PHOTOGRAPHER: PETER LINDBERGH, CINEMATOGRAPHER: DARIUS KHONDJI A.F.C., A.S.C.
April 2014
Arri Alexa Plus XT in ARRIRAW 16:9, Livegrade, Cooke s5i, Angenieux

OASIS (Claymation – London) – Blink Films
DIGITAL IMAGING TECHNICIAN
DIRECTOR: SIMON WILLOWS, CINEMATOGRAPHER: TOBY HOWELL
February 2011
Sony F23, Codex DTS

JAGUAR XK-RS (London) – Tangerine Films
CAMERA OPERATOR
DIRECTOR: GARY HOLDER, CINEMATOGRAPHER: TIM GREEN
December 2010
Weisscam HS-2, Cooke S4

JAGUAR CLAY (UK) – Tangerine Films
1st ASSISTANT CAMERA, CAMERA OPERATOR
DIRECTOR: GARY HOLDER, CINEMATOGRAPHER: TIM GREEN
March 2010
Weisscam HS-2, Cooke S4, Canon 5Dm2

SONY FOOTBALL (3D – Madrid) – Academy Films
DIGITAL IMAGING TECHNICIAN & 3D VIDEO PLAYBACK
DIRECTOR: JONATHAN GLAZER, CINEMATOGRAPHER: MARCEL ZYSKIND
March 2010, Stereographer : Sean Philips
Sony P1, Red One in 4K, Phantom HD, Qtake HD Playback

NIKE – WRITE THE FUTURE (London, Madrid) – Independent/Anonymous Content
DIGITAL IMAGING TECHNICIAN
DIRECTOR: ALEJANDRO GONZALEZ IÑÁRRITU, CINEMATOGRAPHER: EMMANUEL LUBEZKI A.S.C., A.M.C.
2ND UNIT DIRECTOR: PABLO CASACUBERTA
February 2010
Canon 5Dmk2, Canon 7D, various Minicams

JAGUAR XJ (London) – Tangerine Films
1st ASSISTANT CAMERA
DIRECTOR: GARY HOLDER, CINEMATOGRAPHERS: ELLEN KURAS A.S.C., STEVE ALBINS
March 2009
Red One in 4K, Cooke S4, Angenieux Optimo

ROYAL AUSTRALIAN NAVY (Singapore, South China Sea) – Renegade Films
1st ASSISTANT CAMERA
DIRECTOR: JULIUS AVERY, CINEMATOGRAPHER: NIGEL BLUCK
October 2008
Silicon Imaging SI-2K, Century 6mm

JAGUAR XK-R/XF-R (France, Monaco, UK) – Tangerine Films
2nd ASSISTANT CAMERA
DIRECTOR: GARY HOLDER, CINEMATOGRAPHER: STEVE ALBINS
July – September 2008
Red One in 4K, Cooke S4, Angenieux Optimo, Lensbaby

BRITISH HEART FOUNDATION (London) – RSA Films
CAMERA TECHNICIAN
CINEMATOGRAPHER: DAVID HIGGS B.S.C.
July 2008
Silicon Imaging SI-2K, Zeiss Ultra 16

NIKE – TAKE IT TO THE NEXT LEVEL (Barcelona, UK) – Independent/Anonymous Content
CAMERA TECHNICIAN
DIRECTOR: GUY RITCHIE, CINEMATOGRAPHER: DAVID HIGGS B.S.C.
February 2008
Silicon Imaging SI-2K, Zeiss Ultra 16

DANCING ON ICE – The Promos (Sydney, Australia) – Nine Network Australia
1st ASSISTANT CAMERA
CINEMATOGRAPHER: JOHN BOWRING A.C.S.
March 2006
Arri 16SR3, Panasonic Varicam, Zeiss Digi Primes, Canon S16 Lenses

DELL COMPUTER (Sydney, Australia) – Walkabout Films
DIGITAL IMAGING TECHNICIAN
CINEMATOGRAPHER: ALLEN DAVIAU A.S.C.
February 2006
Sony F900, Zeiss Digi Primes
Other Skills & Interests

Aaton, Arri, Bolex & Panavision Film Cameras, Arri, Canon, Panasonic, Phantom, Panavision, Red & Sony Digital Cameras
attendee of the annual Camerimage Festival, Poland since 2006
member of the Australian Cinematographers Society (ACS) since 2000, Guild of British Camera Technicans (GBCT) since 2011
friend of the Association of Camera Operators (ACO)

Camera Rentals 2005-2009 – Lemac Film & Digital (Sydney, Australia), Axis Films (London)
Commercials/Features Gaffer 2003-2005 – Batvan (Sydney, Australia)
1st Assistant Camera/Assistant Editor/Art Department 2000-2006

Equipment Available

CAMERAS & LENSES:

ARRI 416 Super16 Film Camera Kit, with:
Zeiss Ultra16 6mm T1.3
Angenieux 7-81mm T2.6 HR Zoom
Hasselblad Lens Adapter
3 x 400’ Magazines
3 x OBB-2 Onboard Batteries
TRANSVIDEO 4” Starlite Colour Monitor
Century Steadytester

LEICA S2 Medium Format DSLR with:
30mm f2.8 Elmarit-S
70mm f2.5 Summarit-S Lens
Hasselblad Lens adapter

LEICA M Monochrom, Black & White Digital, with:
16mm f8 Zeiss Holgon
21mm f4.5 Zeiss Biogon
35mm f2 Summicron
50mm f1.1 Voightlander

BLACKMAGIC Pocket Cinema Camera with PL Mount, Leica R Mount

HASSELBLAD 500C & SWC/M Superwide, Modern Zeiss lenses – 150mm f4 T* (2002), 1960’s era Zeiss lenses – 50mm f4 (manufactured 1962), 80mm f2.8 (1964), 150mm f4 (1966), 250mm f5.6 (1968)
FUJIFILM X-PRO 1, Angenieux 35-70, 45-90, Fuji 35, Leica 16, 28, 50, 60, 90, 100, 135, 180, Samyang 8mm, Leica R, Hasselblad, Panavision & PL Mounts
OTHER PL MOUNT Lenses: Lensbaby 3G-PL Kit, TRUMP 58mm T2 Flare lens
Optimator PL Mount Depth Check

CAMERA RIGS:
POV Camera Helmet, designed & built for the 2008 ‘Nike Take it to the Next Level’ commercial, as used on commercials for the British Heart Foundation & Royal Australian Navy.
Originally designed for use with the Silicon Imaging SI-2K Camera, it’s suitable for small cameras such as the Blackmagic Micro Cinema Camera & Sony A7

MONITORING & OTHER ACCESSORIES
Sony OLED PVM-A170 17”
Video Devices PIX-E5 5” WFM/Recorder
Small HD OLED DP7-PRO 7″
Atomos Samurai Blade 5″ WFM/Recorder
LUT World – a box fitted out for running Four Cameras, comprising 2 x Fujifilm IS-Mini, 2 x Blackmagic HDLink Pro, Pomfort LIVEGRADE PRO 3 Colour Correction, Videohub
Lightmeter & Pan Glass Kit – SEKONIC C-700R Spectrometer/Colourmeter, PENTAX Digital Spotmeter, MINOLTA V Spot/Incident, MINOLTA IV Incident, MINOLTA Color Meter II
3x AMBIENT Tiny Lockit

NEARSET DATA
Data Management & Dailies package – comprising APPLE Mac Pro, RED Rocket-X, POMFORT Silverstack 5, Davinci Resolve Studio 12, EIZO Calibrated CG248 UHD & CG247 24″ Monitors, 8TB RAID-6, 2x RED MiniMag Readers, Codex XT Dock