peter marsden +44 78 76 49 80 01 http://www.rewound.com.au London / Sydney /// Assistant to the Cinematographer /// Photographer Thu, 15 Dec 2011 18:16:28 +0000 en hourly 1 http://wordpress.org/?v=3.2.1 Feature Film Credits http://www.rewound.com.au/features/ http://www.rewound.com.au/features/#comments Tue, 01 Nov 2011 00:00:28 +0000 rewound http://www.rewound.com.au/?p=43

Prometheus

December 2011 – Shepperton Studios, London

Digital Imaging Technician : VFX Unit Additional Photography

Director/Cinematographer : Shaun O’Dell

Camera Operators: Gary Spratling, Graham Hall

Focus Pullers : John Ferguson, Rob Palmer

Stereographer : Steve Evans

Red Epic 3D

Argo

November 2011 – Istanbul, Turkey

Digital Imaging Technician

Cinematographer : Rodrigo Prieto A.M.C., A.S.C.

Director : Ben Affleck

Focus Pullers : Zoran Veselic, Olly Tellett, Olivier Fortin

“Argo” Stage 16 Pictures LLC, Istanbul Shoot

Arri Alexa – ARRIRAW using Codex Recorders, Truelight (and Super 8 & 16mm)

Snow White & the Huntsman

September 2011 – Wales

Additional Video Operator

Video Operator : Dominic Rau

Cinematographer : Greig Fraser

Director : Rupert Sanders

“Snow White & the Huntsman” Dark Mirror Films

35mm Anamorphic, 65mm

World War Z

August-September 2011 – Glasgow, Scotland; Elstree Studios, London

Digital Imaging Technician : 2nd Unit

2nd Unit Cinematographer : Igor Meglic

2nd Unit Director : Simon Crane

Main Unit Director : Marc Forster

Main Unit Cinematographer : Robert Richardson A.S.C.

“World War Z” High Command Productions

Arri Alexa – ARRIRAW using Codex Recorders

Gravity

February-August 2011 – Shepperton Studios, London

Digital Imaging Technician

Cinematographers : Emmanuel Lubezki A.S.C., A.M.C., Michael Seresin B.S.C., Ashley Palin

Director : Alfonso Cuarón

Operator : Peter Taylor

Focus Puller : Olly Tellett

“Gravity” Velocity Productions

Arri Alexa – ARRIRAW using Codex Recorders

Berliner Philharmonic : A Musical Journey in 3D

November 2011 – Esplanade Theatre, Singapore

Digital Imaging Technician

Berliner Philharmoniker – 3D Concert, Singapore Esplanade Theatre

8 x Codex Portable Recorders, 16 individual feeds recorded live over two sessions (14 camera feeds, 2 feeds of a 3D vision mix). Data offload onto Transfer Station & Prores files generated for 3D offline

Context TV Berlin

6 x NHK 3D rigs, 2 x Sony HDC-1500

Captain America : The First Avenger

April-November 2010 – Shepperton Studios, London; Manchester; Wales

Digital Imaging Technician : 2nd Unit

2nd Unit Director/Cinematographer : Jonathan Taylor A.S.C.

Main Unit Cinematographer : Shelly Johnson A.S.C.

Operators : Tim Wooster, Peter Field

Focus Pullers : John Gamble, Spencer Murray, Kenny Groom, Marc Atherfold

Marvel/Vita Ray Productions

Panavision Genesis, SSR-2 Onboard Solid State Recorders.

A Running Jump

August-September 2010 – London

Digital Imaging Technician

Cinematographer: Dick Pope B.S.C.

Director : Mike Leigh

Focus Puller: Iain Struthers

Aerial Unit: Marc Wolf, Adam Dale

Thin Man Films

Arri Alexa, Codex Onboard

Gulliver’s Travels

April 2009-June 2010 – Pinewood Studios, Greenwich, London; Blenheim Palace, Oxford

Digital Imaging Technician : 2nd Unit/VFX Unit/Aerial Unit, Main Unit pickups

2nd Unit Director/Cinematographer : Shaun O’Dell

Camera Operators: Peter Field, Graham Hall

Focus Pullers : Shaun Cobley, Spencer Murray

Director : Rob Letterman

Main Unit Cinematographer : David Tattersall

Focus Pullers : Rawdon Hayne, Jennie Paddon

VFX Unit Cinematographer : Fraser Taggart

Aerial Unit Director: Marc Wolf

Aerial Unit DOP : John Marzano

Panavision Genesis, SSR-2 Onboard Solid State Recorders.

The Chronicles of Narnia: Dawn Treader

February 2010 – Pinewood Studios, London

Digital Imaging Technician/HD Video Playback : VFX Unit

VFX Supervisor/Cinematographer : Angus Bickerton

Director : Michael Apted

SONY F23, F900R, CODEX Recorders & QTAKE HD Playback System

14 Days with Victor

September-October 2009 – Barcelona, Spain; London

Digital Imaging Technician

Cinematographer: Xavier Cami

Director: Roman Parrado

Arcadia Motion Pictures/Manto Films

Thomson Viper, Codex Portable

¿Estas Ahi?

July-August 2009 – Ciudad de la Luz, Alicante, Spain

Digital Imaging Technician

Cinematographer: Joan Benet

Director: Roberto Santiago

Arcadia Motion Pictures/Manto Films

Thomson Viper, s.Two DFR

Robin Hood

June 2009 – Wales

Camera Operator : SI2k

Cinematographer: John Mathieson B.S.C.

Director: Ridley Scott

Merry Men Films

Silicon Imaging SI2K

Green Zone

November 2008-February 2009 – Morocco

Digital Imaging Technician : Aerial Unit

Aerial Unit Cinematographer: Jeremy Braben

Aerial Unit Director : Peter Chiang

Compound Films

Red One, Wescam, Bell 205

Diverted

August 2008 – London

Focus Puller : UK Unit

Cinematographer: Miroslaw Baszak

Big Tree Productions

Red One

Rocknrolla

August 2007 – London

Minicam Rigging

Cinematographer: David Higgs B.S.C.

Toff Guy

Iconix HD Minicam, HDCAM

]]> http://www.rewound.com.au/features/feed/ 0 Commercial Credits http://www.rewound.com.au/commercials/ http://www.rewound.com.au/commercials/#comments Tue, 21 Dec 2010 00:31:20 +0000 rewound http://www.rewound.com.au/?p=88 Oasis

February 2011 – London

Digital Imaging Technician

Cinematographer: Toby Howell

Director: Simon Willows

Blink Films

Sony F23, Codex Onboard

Irn Bru

January 2011 – Glasgow, Scotland

Digital Imaging Technician

Cinematographer: Richard Mott

Director: Ron Scalpello

The Gate Films

Arri Alexa – Prores

Jaguar  XK-R, XF-R, XJ, XK-RS

December 2010/March 2010/July 2008-June 2009 – London, Monaco, Gorges du Verdon

Camera Operator : High Speed VFX Unit/Digital Imaging Technician/Focus Puller

Cinematographers: Steve Albins, Ellen Kuras A.S.C., Tim Green

Director: Gary Holder

Tangerine Films

Red One/SI2k/Arri Alexa/Canon 5Dmk2/Weisscam HS-2

Sky Sports Cricket (3D)

July 2010 – London

3D HD Video Playback

Cinematographer: Geoff Boyle

Sky Sports

Phantom HD, QTAKE Playback System

Sony Football (3D)

March 2010 – Madrid, Spain

3D HD Video Playback

Director: Jonathan Glazer

Cinematographer: Marcel Zyskind

Stereographer: Sean Philips

Academy Films

Phantom HD/Red One/Sony P1 HDCAM/QTAKE Playback System

Nike : Write the Future

February 2010 – London; Madrid, Spain

Digital Imaging Technician

Cinematographer: Emmanuel Lubezki A.M.C., A.S.C.

Director: Alejandro Gonzalez Iñárritu

2nd Unit Director: Pablo Casacuberta

Independent/Anonymous Content

Canon 5Dmk2, 7D

Mars

January 2010 – London

Digital Imaging Technician

Cinematographer: John Richter-Friis

Director: John Dower

Focus Puller: Jennie Paddon

2AM Films

Panavision Genesis, SSR-2 Solid State Recorder

Vue Westfield

January 2010 – London

3D HD Video Playback

Cinematographer: Phil Bradshaw

Director: Steve Kemsley

Stereographer: Celine Pricart

Sassy Films

Red One/QTAKE Playback System

Doctor Who 3D Promo

November 2009 – Wales

Digital Imaging Technician

Red Bee Media

Phantom HD, Sony F35

Red Bull X-Fighters

June 2009 – London

2nd Assistant Camera/Digital Imaging Technician

Cinematographer: Mark Patten

Focus Puller: Dan Holland

RSA Films

Panavision Genesis

BAA

June 2009 – London

Digital Imaging Technician

Cinematographer: Shane Daly

Focus Puller: Derrick Peters

Jump Design

Red One

Green Day

April 2009 – London

Digital Imaging Technician

Cinematographer: Nick Bennett

Focus Puller: Dave Prevost

Steam Motion Sound

Red One

Transport for London

March 2009 – London

Digital Imaging Technician

Cinematographer: Ed Rutherford

The Annex

Red One

Cherry Girl

February 2009 – London

Digital Imaging Technician

Cinematographer: Mark Patten

Focus Puller: Dan Holland

RSA Films

Panavision Genesis

Royal Australian Navy

October 2008 – South China Sea, Singapore

Focus Puller

Cinematographer: Nigel Bluck

Renegade Films (Australia)

Silicon Imaging SI2K

British Heart Foundation

July 2008 – London

Digital Imaging Technician

Cinematographer: David Higgs B.S.C.

Focus Puller: Jon Howard

RSA Films

Silicon Imaging SI2k

Nike : Take it to the Next Level

February 2008 – London, Cheshire; Barcelona, Spain

Digital Imaging Technician

Cinematographer: David Higgs B.S.C.

Director: Guy Ritchie

Focus Puller: Matt Poynter

Independent/Anonymous Content

Silicon Imaging SI2K

Dancing on Ice (Australia) Promos

2006 – Sydney, Australia

Focus Puller

Cinematographer: John Bowring A.C.S.

Channel Nine

Panasonic Varicam, Arri 16SR3 HS

Dell Computer

2006 – Sydney, Australia

Digital Imaging Technician

Cinematographer: Allen Daviau A.S.C.

Walkabout Films

Sony F900

]]> http://www.rewound.com.au/commercials/feed/ 0 Television Credits http://www.rewound.com.au/television/ http://www.rewound.com.au/television/#comments Mon, 23 Nov 2009 18:24:29 +0000 rewound http://www.rewound.com.au/?p=156 Game of Thrones

December 2010 – Belfast, Northern Ireland

Digital Imaging Technician : VFX Unit

Cinematographer: Gerry Vasbenter

Fire & Blood Productions

Arri Alexa

iTunes Festival 2010

July 2010 – Camden Roundhouse, London

Digital Imaging Technician

Live Nation

Sony HDC-1500, Codex Portable Recorders

Live from Abbey Road

October 2007-May 2009 – London

Technical Director

Cinematographers: Kelvin Richard (Series 1/2), Geoff Harrison B.S.C. (Series 3)

LFAR

Panasonic HDX900

Ashes to Ashes Opening Titles Series 1

September 2007 – London

Minicam Rigging

Cinematographer: Nic Lawson

Focus Puller: Matt Poynter

Kudos Film & TV

Iconix HD Minicam, HDCAM

]]> http://www.rewound.com.au/television/feed/ 0 Music, Documentary & Short Projects http://www.rewound.com.au/music/ http://www.rewound.com.au/music/#comments Sun, 23 Nov 2008 21:18:50 +0000 rewound http://www.rewound.com.au/?p=198 Katy B “Broken Record”

Music Video – February 2011 – London

Digital Imaging Technician

Cinematographer: Catherine Derry

Director: Jamie Thraves

Factory Films

Arri Alexa

My Father’s House

Installation – May 2010 – London

Focus Puller, Gaffer

Cinematographer: Harriet Beanland

Director: Anna M. Freeman

RCA

Arri 16SR3A

Mim Grey “Sunday Best”

Music Video – April 2010 – Pinewood Studios, London

Camera Operator (High Speed Camera), Focus Puller

Cinematographer: Tim Green

Director: Gary Holder

Tangerine Films

Weisscam HS-2

The Old Contemptibles

3D Short – February 2010 – London

Digital Imaging Technician

Cinematographer: Fraser Taggart

Director: Nathan Wiley

Stereographers: Chris Parks, Angus Cameron

SFX Films

Panavision Genesis, Codex Portable Recorders

Breathe

3D Short – January 2010 – London

3D HD Video Playback

Cinematographer: Ciro Candia

Director: Liam Garvo

Stereographers: Chris Parks, Angus Cameron

Coral Bark

Red One, QTAKE Playback System

Matten Streak Orchestra

Documentary – October 2009 – Pinewood Studios, London

Cinematographer

Tangerine Films

Canon 5Dm2, 7D

Hockey

Music Video – March 2009 – Shepperton Studios, London

Digital Imaging Technician

Cinematographer: Will Bex

Directors: Diamond Dogs

HSI London

Red One

]]> http://www.rewound.com.au/music/feed/ 0 Personal Equipment http://www.rewound.com.au/equipment/ http://www.rewound.com.au/equipment/#comments Sun, 23 Dec 2007 21:35:58 +0000 rewound http://www.rewound.com.au/?p=225 PERSONAL EQUIPMENT

ON SET

BACKSTAGE EQUIPMENT CART TR-04

PERSONAL METER KIT, with PENTAX Digital Spotmeter, MINOLTA V Spot/Incident, MINOLTA IV Incident, SEKONIC L-398 Incident, MINOLTA Color Meter II, X-RITE i1 Display 2 Calibration Probe, Tiffen Viewing Glasses, Spare Batteries

DATA

MACBOOK PRO LAPTOP, with Final Cut Studio, Iridas Speedgrade, CS4, Lightroom 3, equipped to QC DPX, ARRIRAW, PRORES, DSLR MOV, RED, P2, XDCAM, SI2K, PHANTOM, STILLS
Data Backup & Verification for ARRI ALEXA (Prores), RED ONE, XDCAM EX, SI2K, DSLR
Equipment on Request: 24″ MONITOR, HDLINK PRO
Additional Equipment for ARRIRAW, PHANTOM, WEISSCAM & Multiple Camera Shoots easily sourced.

EXCITING STUFF : CAMERAS & LENSES

Stills/Limited HD Video

CANON 7D RAW DIGITAL

Stills Only

DIGITAL : CANON 400D RAW (with Power/Battery Adapters for Time Exposure use)
35mm : LEICA R9, CANON 1V, Lomography Spinner 360, Fisheye
Medium Format : HASSELBLAD 500C, SWC/M Superwide (Carl Zeiss Biogon 38mm f4.5 T*).  Hasselblad Accessories include the Polaroid Back

Motion Picture

35mm : LOMOKINO 2perf-ish, maximum 5 frames per second handcrank, a fixed approximately 25mm lens, f5.6, f8, f11 settings.  144 frames on a standard roll of stills 35mm (Process E6, C-41 or Black & White).

PL Mount Lenses

LENSBABY 3GPL (54mm, f2-f22, includes special effect custom Iris Kit) WITH SUPER WIDE (~ 22mm), WIDE (~ 32mm), TELE (~ 86mm)
Canon EF Mount
Canon Lenses : 10-22mm f3.5-4.5 EF-S (7D/400D only), 16-35L f2.8, 24-70L f2.8, Carl Zeiss Distagon 28mm f2.8 T*, EOS Holga Kit
Leica ‘R’ Reflex Mount – all Lenses usable on the Canon Cameras via adapter
Leica Lenses : Fisheye-Elmarit-R 16mm f2.8, Elmarit-R 28mm f2.8, Summilux-R 50mm f1.4, Summicron-R 90mm f2, Elmarit-R 135mm f2.8, Elmarit-R 180mm f2.8
HASSELBLAD Mount Carl Zeiss – all Lenses usable on the Canon Cameras via adapter
Distagon 50mm f4 (1963), Distagon 50mm f4 T* (1977), Planar 80mm f2.8 (1964), Sonnar 150mm f4 (1966), Sonnar 250mm f5.6 (1968).
With Exception of the 50mm T*, these lenses do not have Modern Multiple Coatings on the optics, so can provide a lower contrast look, and are more prone to flare

 

]]> http://www.rewound.com.au/equipment/feed/ 0 Skills & Knowledge http://www.rewound.com.au/skills/ http://www.rewound.com.au/skills/#comments Fri, 23 Nov 2007 21:26:41 +0000 rewound http://www.rewound.com.au/?p=212 SKILL SET – as of November 2011

(new Cameras & Technology added weekly…)

DATA CAMERAS – EXPERIENCED DATA MANAGER & DIGITAL IMAGING TECHNICIAN

ARRI ALEXA – PLUS & STUDIO, using the CODEX ONBOARD

ARRIRAW & Uncompressed HD, and the SxS Card System (Prores)

PANAVISION GENESIS using the SSR & HDCAM-SR, and CODEX PORTABLE

SONY F35, F23 using the CODEX PORTABLE & STUDIO Recorder

THOMSON VIPER using CODEX PORTABLE, Venon Pack & s.TWO

RED ONE (& the MX Upgrade)

SILICON IMAGING SI2K Mini

PHANTOM HD GOLD

WEISSCAM HS-2

QTAKE HD & 3D PLAYBACK SYSTEM

CODEX TRANSFER STATION for Rushes & Archival

FILM CAMERAS – LOADING & ASSEMBLY

ARRI 435/ARRICAM

PANAVISION PANAFLEX

AATON XTRprod/A-MINIMA/35-III

ARRI 16SR3/416

BOLEX

OTHER CAMERAS & EQUIPMENT

PANASONIC VARICAM/HDX900/HPX3700

SONY F900R/750P

ICONIX HD MINICAM

PRO35

CANON 1Dmk4, 5Dm2, 7D

CAMERA RENTALS 2005-2008 (LEMAC SYDNEY, AXIS LONDON)

COMMERCIALS/FEATURE GAFFER 2003-2005

1st AC/ASSISTANT EDITOR/ART DEPT 2000-2006

]]> http://www.rewound.com.au/skills/feed/ 0