PERSONAL EQUIPMENT
ON SET
BACKSTAGE EQUIPMENT CART TR-04
PERSONAL METER KIT, with PENTAX Digital Spotmeter, MINOLTA V Spot/Incident, MINOLTA IV Incident, SEKONIC L-398 Incident, MINOLTA Color Meter II, X-RITE i1 Display 2 Calibration Probe, Tiffen Viewing Glasses, Spare Batteries
DATA
MACBOOK PRO LAPTOP, with Final Cut Studio, Iridas Speedgrade, CS4, Lightroom 3, equipped to QC DPX, ARRIRAW, PRORES, DSLR MOV, RED, P2, XDCAM, SI2K, PHANTOM, STILLS
Data Backup & Verification for ARRI ALEXA (Prores), RED ONE, XDCAM EX, SI2K, DSLR
Equipment on Request: 24″ MONITOR, HDLINK PRO
Additional Equipment for ARRIRAW, PHANTOM, WEISSCAM & Multiple Camera Shoots easily sourced.
EXCITING STUFF : CAMERAS & LENSES
Stills/Limited HD Video
CANON 7D RAW DIGITAL
Stills Only
DIGITAL : CANON 400D RAW (with Power/Battery Adapters for Time Exposure use)
35mm : LEICA R9, CANON 1V, Lomography Spinner 360, Fisheye
Medium Format : HASSELBLAD 500C, SWC/M Superwide (Carl Zeiss Biogon 38mm f4.5 T*). Hasselblad Accessories include the Polaroid Back
Motion Picture
35mm : LOMOKINO 2perf-ish, maximum 5 frames per second handcrank, a fixed approximately 25mm lens, f5.6, f8, f11 settings. 144 frames on a standard roll of stills 35mm (Process E6, C-41 or Black & White).
PL Mount Lenses
LENSBABY 3GPL (54mm, f2-f22, includes special effect custom Iris Kit) WITH SUPER WIDE (~ 22mm), WIDE (~ 32mm), TELE (~ 86mm)
Canon EF Mount
Canon Lenses : 10-22mm f3.5-4.5 EF-S (7D/400D only), 16-35L f2.8, 24-70L f2.8, Carl Zeiss Distagon 28mm f2.8 T*, EOS Holga Kit
Leica ‘R’ Reflex Mount – all Lenses usable on the Canon Cameras via adapter
Leica Lenses : Fisheye-Elmarit-R 16mm f2.8, Elmarit-R 28mm f2.8, Summilux-R 50mm f1.4, Summicron-R 90mm f2, Elmarit-R 135mm f2.8, Elmarit-R 180mm f2.8
HASSELBLAD Mount Carl Zeiss – all Lenses usable on the Canon Cameras via adapter
Distagon 50mm f4 (1963), Distagon 50mm f4 T* (1977), Planar 80mm f2.8 (1964), Sonnar 150mm f4 (1966), Sonnar 250mm f5.6 (1968).
With Exception of the 50mm T*, these lenses do not have Modern Multiple Coatings on the optics, so can provide a lower contrast look, and are more prone to flare